The Astronaut Film Analysis: Tense Moments and Levitating Eggs in a Luxury Location

In the opening scenes of this slow-burn science fiction film, astronaut Captain Sam Walker (played by Kate Mara) crash lands in the ocean. She is rescued and housed in an extremely luxurious safe house. While quarantine is standard procedure, the location is anything but—thanks to her government agent father (played by Laurence Fishburne), she finds herself in an opulent hideout featuring modern architecture and minimalist, sterile interiors.

Most of the narrative unfolds in this luxe-but-remote location, where audiences are left to wonder what is more unnerving: Sam’s newfound ability to levitate an egg, or the eerie sounds that occur after dark and leave residue on the floor.

Mysterious Symptoms and a Talented Ensemble

The telekinesis demonstration hints that Sam may be facing not only external threats but also alterations within her own body. A discolored mark on her hand worsens, and she suffers from headaches and hallucinations. What, exactly, is going on?

Initially, director Jess Varley does a superb job at creating suspense and teasing out these mysteries. She is assisted by a committed cast: Fishburne adds weight as Sam’s father, Gabriel Luna delivers a soulful performance as her troubled husband, and newcomer Scarlett Holmes charms as the couple’s adorable daughter.

Structural Concerns and an Overstuffed Finale

As the film progresses, however, pacing problems begin to surface. Viewers might think that the reveals are too slow in coming, leaving them eager for more clarity. Tension can only carry a story so far.

The contained setting also creates a sense of being trapped in a movie-themed immersive experience, where one might find themselves pursued by an alien creature through an carefully designed set.

By the finale, the film changes pace dramatically, offering too much to process in too little time. The consequences of the plot’s direction are significant for the characters, and after investing time getting to know them, the rushed ending can feel like a sleight of hand.

Unfortunately, because this film has much to offer, but like its protagonist in the opening, it doesn’t quite deliver a satisfying conclusion.